​​A visual artist, I like to connect with other cultural genres
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A couple of years ago, I started sketching musicians at jazz-nights in my local pub
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They were ideal: moving but staying put; absorbed in the music; and, best of all, oblivious to me
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I might do 20 or 30 sketches a night, though I never inspect my 'catch' until the next day
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If I like one, I might work it up, digitally, into a print, hoping they'll find a home in the wide world
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Above all, I like it when people happen upon my stuff by chance
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Last year, through my son, Tom, I approached Distrikt, a late-night music bar, in Leeds, to fill their underground space with my work. I loved how their sophisticated lighting systems played with my images
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![DB13.jpg](https://static.wixstatic.com/media/4573cc_c8e2dd8cfee14c5299c407121bf5bac4~mv2.jpg/v1/crop/x_0,y_0,w_3306,h_2338/fill/w_529,h_378,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/DB13.jpg)
![IMG_7793.HEIC](https://static.wixstatic.com/media/4573cc_74539963adfc43caa06298089703c1ea~mv2.png/v1/fill/w_419,h_314,al_c,q_85,usm_0.66_1.00_0.01,enc_avif,quality_auto/IMG_7793_HEIC.png)
And now, I'm working on The Pineapple, an old-fashioned boozer, in my home town of Stockport, Greater Manchester. It's perfect: on my doorstep; hardly changed in the last 30 or 40 years; non-stop music on the juke-box; clear wall-space; friendly locals; and a landlord who gets it