I'll do 20 or 30 sketches a night; though I never inspect my 'catch' until the next day
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If I like one, I might work it up, digitally, into a print, hoping they'll find a home in the 'real' world​
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Last year, through my son, Tom, I approached Distrikt, a late-night music bar, in Leeds, to fill their underground space with my work. I loved how their sophisticated lighting systems played to the colours
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​​A visual artist, I like to connect with other cultural genres; and to put to my work into unexpected places
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A couple of years ago, I started sketching musicians at jazz-nights in my local pub
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They were ideal: moving but staying put; absorbed in the music; and, best of all, oblivious to me
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And now, I'm working on The Pineapple, an old-fashioned boozer, in my home town of Stockport, Manchester. It's perfect: on my doorstep; hardly changed in 30 or 40 years; non-stop juke-box; clear wall-space; friendly locals; and a landlord who gets it